Una presentazione di Alice Corona per R-Ladies Italia • 23/10/2020 • Online
Ho una formazione in Storia e in Scienze della Comunicazione e Informazione.
[ Università degli Studi di Siena, University of Tilburg (Paesi Bassi), e una buona dose di formazione online ]
Supporto a Sheldon studio per il Matera Open Data Portal: Il portale open data di Matera Capitale Europea della Cultura • Fondazione Matera - Basilicata 2019
Docente e divulgatrice per la Dataninja School • Dataninja
Attivista e liberatrice di dati per l'Osservatorio civico OCIO. Qui sopra mostrati i progetti: monitoraggio edilizia convenzionata ; monitoraggio locazioni turistiche; inchieste Venezia in affitto(breve)
Attivista e liberatrice di dati per Nel dubbio... Task Forse • Progetto della mitica associazione OnData
Project leader & research a BATJO: Bits, Atoms and Journalism. Qui sopra è stato mostrato anche il tutorial Let's get physical scritto per l'European Journalism Center
PASSATO • PRESENTE • FUTURO •
Lead data journalist per la startup di Amsterdam Silk.co e freelance data journalist per Wired e Datajournalism.it
Alcune immagini della copertura degli Iraq War Logs e Aghanistan War Logs (2010) nelle pagine del Bureau of Investigative Journalism, The The Guardian e New York Times
Il progetto cross-border The Migrant Files (2014) •
Il database Offshore Leaks, dell'International Consortium of Investigative Journalists (2013 e oltre).
La cronaca locale di Bergamo, grazie al lavoro di Isaia Invernizzi, fa riflettere la stampa internazionale.
L'inchiesta Machine Bias • ProPublica
The Missing Legacy of Marie Neurath • Jason Forrest
"
What makes Marie Neurath so particularly interesting is her role in the team, as she referred to herself as “the Transformer”. Today we would consider the work of the Transformer somewhere between a data scientist and an information designer.
Marie explained the work of the transformer: “From the data given in words and figures, a way has to be found to extract the essential facts and put them into picture form. It is the responsibility of the transformer to understand the data, to get all necessary information from the expert, to decide what is worth transmitting to the public, how to make it understandable, how to link it with general knowledge or with information already given in other charts. In this sense, the transformer is the trustee of the public. He has to remember the rules and to keep them, adding new variations where advisable, at the same time avoiding unnecessary deviations which would only confuse. He has to produce a rough chart in which many details have been decided: title; arrangement, type number, and color of symbol; caption, etc. It is a blueprint from which the artist works.”